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A Clearer Picture Of MC Galaxy And Etinosa’s Brazen Nude Show  by Osayimwen George

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If you watched the x-rated action film produced by MC Galaxy (originally known as Innocent Udeme Udofot) and Etionosa with a surprise, then you are outrightly a novIf you watched the x-rated action film produced by MC Galaxy (originally known as Innocent Udeme Udofot) and Etionosa with a surprise, then you are outrightly a novice.

This isn’t the first time such content will be released and it will certainly not be the last. Nigerian IndecentStar, KingTee has done something worse than that with different women who might one day end up as the wives of some unfortunate men. Instagram slay queens like Peace Olayemi, Sussylicious, Symply Tacha, Savage Trap Queen and others are already showcasing their private parts for different fees with subscribers flooding their networks.

MC Galaxy is not the problem, he is just a mere symptom of a full-blown viral ailment on Instagram. He is a premonition about an impending doom set to befall the younger generation who are begging the aged and recycled leaders for the mantle of leadership. A generation that constantly misses the message and purposely sticks to the worthless noise.

Social media is a curse and its also a blessing. Inasmuch as it has boosted political consciousness among citizens, created publicity about businesses, created jobs, encouraged networking among professionals, promoted friendly interactions in a cheap way; its the home of obscenities particularly transactional sex and nudity. It’s the forest when married men with fat pockets hunt for ‘bushmeat’. Most ladies are overtly and covertly selling their bodies without any iota of shame. Social media is also a major channel through which fake news, hate speeches and other divisive contents are disseminated by faceless and unscrupulous people for nefarious motives.

An anecdotal study of Instagram (the Nigerian space) by this writer has shown that the platform is peopled by a low percentage of the intellectual class who could engage in quality discussions that solve problems and advance life. The other class of people who approach life recklessly constitutes at least over 70% of the demography of Instagram with another percentage sitting on the fence. It’s either a male is showcasing his wealth to serve as a trap or bait for the next girl, or a female is showcasing her private parts to lure the next guy into a private discussion that will end with her back on the ground and her bank account is credited accordingly.

We have a group of people showcasing their epic stupidities in the name of comedy skits. With due respect, some online comedians like Baba Adan, Broda Shaggi, MC Edo Pikin, Maraji, Lasisi Elenu, Klinton Cod, Twyse, Nedu Wazobia FM, Woli Arole, Woli Agba etc are doing commendable jobs on Instagram. Majority of the artists on the platform promote junks in the name of comedy skits, music, and music videos. Others who have monies to throw around, organize regular giveaways to gather followers they later struggle to engage with meaningful contents.

Singer, comedian and dancer, MC Galaxy and Etinosa Idemudia fall in the class of people with huge followings but no substance to sell to their immediate audience. In the absence of quality products, a desperate trader sells the inferior ones to make money and keep business afloat.

MC Galaxy has been struggling to stay relevant since the release of his hit song titled ‘Sekem’ in 2014. MC Galaxy must have been lucky to have such a song which gave life to parties within and outside Nigeria. It was like a national anthem!
Since the success of that song which reportedly brought him so much money, he has continued to struggle to replicate such a feat. His best could be termed as coordinated noise to the ears. In saner climes, MC Galaxy will never be recognized as a musician. His vocals are as bad as his lyrics; the only thing admirable about him might be his dance steps. Despite huge promotions and quality videos, his songs have all failed to gain traction but MC Galaxy isn’t giving up anytime soon. He has nowhere else to go and I see him staying in the music industry to force more garbage on his audience who have turned permanent deaf ears towards him without his knowledge. In order to stay relevant, MC Galaxy had been involved in a myriad of publicity stunts and other attention-seeking ventures.

The Akwa Ibom native has gone as far as placing bloggers on salaries to fervently report his less newsworthy activities. He went as far as engaging the popular cross-dresser, Idris Olanrewaju Okuneye aka Bobrisky to promote his music but all the moves were dead on arrival. Wack/substandard music is hard to sell at times because they are readily available to listeners who have already had enough from friends, family members, acquaintances, neighbors crossing their boundaries with music too – they love music but music isn’t reciprocating the feeling. Instead of MC Galaxy to choose a new vocation like singer Banky W who ventured into politics, he has adopted the ‘Slay Queen’ strategy of desperate publicity which is very rampant among female celebrities who go as far as stripping Unclad and labeling the act ‘artistic’. Everything is for the likes and more followers and they are not apologetic about their actions. They constantly bring very irritating and directionless private issues to the social media space like its a Court of Arbitration. They also jump on public issues without any meaningful stand as a way of following trends.

Over a week ago, MC Galaxy had a ‘ big break’ on social media on social media when he asked young girls to strip Unclad for prize money of N50,000 during an Instagram live video session. He has denied this despite a shred of video evidence buttressing the accusations. His odious actions became the talk of the media. The drama was far cheaper than the others he sponsored with his money. People like Galaxy who seem poorly educated believe ‘publicity is publicity’ whether positive or negative. The magnitude of the scandal which came with no consequences motivated MC Galaxy to turn it into a viable publicity strategy. He adopted the same concept on Friday, 15th of March, 2019 to promote another seemingly dead song of his titled ‘Ogbono’.

It wasn’t hard for MC Galaxy to find a partner-in-crime who shares the same personal and career attributes with him. He recruited a pseudo-celebrity to actualize his plan. Etinosa is not different from him. She separated from her husband, a naval officer whom she accused of physically and verbally abusing her. She maligned the man’s image on her page at some point. Etinosa just like MC Galaxy has a large number of followers on Instagram but has nothing tangible to sell to them. She has been involved in several dry comedy skits and a couple of Nollywood movies begging for recognition which they may never get. Etinosa is one of those ladies whose survival in a money-consuming city like Lagos has become some sort of mystery. This is simply because no serious means of livelihood is linked to her. But trust me, she is doing well at least considering her public appearances at star-studded social events in Lagos.

Etinosa did the unthinkable by stripping stark Unclad on live video and bragging about it. She admitted being drunk and ranted about breaking loose from the shackles of people around her to be herself. She flashed the camera on her boobs as she grumbled. Many pleaded with MC Galaxy to save the lady’s face by terminating the call but he never listened. He only pretended like he was not in support of her actions while he stylishly enjoyed the dance of shame. As the blogs fed on the issue like the previous one, MC Galaxy strategically went quiet on social media to allow the fire to burn while he monitored the effect like an achiever. Etinosa also placed her profile on private so as to gain more followers as she anticipated unprecedented visitors. These are the normal trends of social media drama episodes.

I refuse to lay blames at the doorsteps of both parties. Apart from the fact that they are adults responsible for their own actions, they only exhibited the lifestyle of Instagram users. Their actions reek of the deep cultural practices of the online community. Most people hypocritically criticizing the erring duo are loving the drama. They begged for the video, watched it over and over again with a strong lust for more while they shared among friends. MC Galaxy and Etinosa might have raised the bar too high this time around, but believe me, another set of people are coming to perpetrate a more despicable act that will overshadow theirs.

Instagram is a colossal waste of time and internet bundle except if you have a business you run on the platform. Concrete discussions don’t sell on Instagram as we have on Facebook, Twitter, and YouTube. Instagrammers just love the comedy skits, the hook-ups, showboating, the rumours, the gossips, the trolls and other ephemeral things they believe could ease their dull moods.

As for MC Galaxy, his musical career ended many years ago and he can’t revive it no matter how much he tries. He isn’t a musician but an irritant making noise on good beats. His condition is so bad that even if he is recruited by the Boko Haram sect as a suicide bomber, he will never ‘blow’. Not every musician in Nigeria has the grace of relevance like Innocent 2Baba Idibia, not everybody could come back like Duncan Mighty after being frozen out by competitors. The best MC Galaxy can do in the music industry is to sign good young artists to his music record label and promote them. This drama has come and it will go without the Ogbono track making any gainful impact. Even if MC Galaxy plays the song while live-streaming a sexual session with his girlfriend, it will not still sell. Music isn’t his way, neither is comedy. He was just fortunate with Sekem; it was a fluke!

As for Etinosa, rumours have it that she has been battling depression prior to the act. If true, I hope she finds happiness and peace of mind as she recovers from the social media backlash. The internet never forgets, her actions will certainly outlive her. The good news is that the new generation gives no damn about morality as far as you have money to show for it. After all, those who peddle sex around purportedly marry the best and rich men while their decent counterparts are fasting and praying at the Redeemed Camp/Prayer City for suitors amid skyrocketing ages.
This isn’t the first time such content will be released and it will certainly not be the last. Nigerian IndecentStar, KingTee has done something worse than that with different women who might one day end up as the wives of some unfortunate men. Instagram slay queens like Peace Olayemi, Sussylicious, Symply Tacha, Savage Trap Queen and others are already showcasing their private parts for different fees with subscribers flooding their networks.
MC Galaxy is not the problem, he is just a mere symptom of a full-blown viral ailment on Instagram. He is a premonition about an impending doom set to befall the younger generation who are begging the aged and recycled leaders for the mantle of leadership. A generation that constantly misses the message and purposely sticks to the worthless noise.
Social media is a curse and its also a blessing. Inasmuch as it has boosted political consciousness among citizens, created publicity about businesses, created jobs, encouraged networking among professionals, promoted friendly interactions in a cheap way; its the home of obscenities particularly transactional sex and nudity. It’s the forest when married men with fat pockets hunt for ‘bushmeat’. Most ladies are overtly and covertly selling their bodies without any iota of shame. Social media is also a major channel through which fake news, hate speeches and other divisive contents are disseminated by faceless and unscrupulous people for nefarious motives.
An anecdotal study of Instagram (the Nigerian space) by this writer has shown that the platform is peopled by a low percentage of the intellectual class who could engage in quality discussions that solve problems and advance life. The other class of people who approach life recklessly constitutes at least over 70% of the demography of Instagram with another percentage sitting on the fence. It’s either a male is showcasing his wealth to serve as a trap or bait for the next girl, or a female is showcasing her private parts to lure the next guy into a private discussion that will end with her back on the ground and her bank account is credited accordingly.
We have a group of people showcasing their epic stupidities in the name of comedy skits. With due respect, some online comedians like Baba Adan, Broda Shaggi, MC Edo Pikin, Maraji, Lasisi Elenu, Klinton Cod, Twyse, Nedu Wazobia FM, Woli Arole, Woli Agba etc are doing commendable jobs on Instagram. Majority of the artists on the platform promote junks in the name of comedy skits, music, and music videos. Others who have monies to throw around, organize regular giveaways to gather followers they later struggle to engage with meaningful contents.
Singer, comedian and dancer, MC Galaxy and Etinosa Idemudia fall in the class of people with huge followings but no substance to sell to their immediate audience. In the absence of quality products, a desperate trader sells the inferior ones to make money and keep business afloat.
MC Galaxy has been struggling to stay relevant since the release of his hit song titled ‘Sekem’ in 2014. MC Galaxy must have been lucky to have such a song which gave life to parties within and outside Nigeria. It was like a national anthem!
Since the success of that song which reportedly brought him so much money, he has continued to struggle to replicate such a feat. His best could be termed as coordinated noise to the ears. In saner climes, MC Galaxy will never be recognized as a musician. His vocals are as bad as his lyrics; the only thing admirable about him might be his dance steps. Despite huge promotions and quality videos, his songs have all failed to gain traction but MC Galaxy isn’t giving up anytime soon. He has nowhere else to go and I see him staying in the music industry to force more garbage on his audience who have turned permanent deaf ears towards him without his knowledge. In order to stay relevant, MC Galaxy had been involved in a myriad of publicity stunts and other attention-seeking ventures.
The Akwa Ibom native has gone as far as placing bloggers on salaries to fervently report his less newsworthy activities. He went as far as engaging the popular cross-dresser, Idris Olanrewaju Okuneye aka Bobrisky to promote his music but all the moves were dead on arrival. Wack/substandard music is hard to sell at times because they are readily available to listeners who have already had enough from friends, family members, acquaintances, neighbors crossing their boundaries with music too – they love music but music isn’t reciprocating the feeling. Instead of MC Galaxy to choose a new vocation like singer Banky W who ventured into politics, he has adopted the ‘Slay Queen’ strategy of desperate publicity which is very rampant among female celebrities who go as far as stripping Unclad and labeling the act ‘artistic’. Everything is for the likes and more followers and they are not apologetic about their actions. They constantly bring very irritating and directionless private issues to the social media space like its a Court of Arbitration. They also jump on public issues without any meaningful stand as a way of following trends.
Over a week ago, MC Galaxy had a ‘ big break’ on social media on social media when he asked young girls to strip Unclad for prize money of N50,000 during an Instagram live video session. He has denied this despite a shred of video evidence buttressing the accusations. His odious actions became the talk of the media. The drama was far cheaper than the others he sponsored with his money. People like Galaxy who seem poorly educated believe ‘publicity is publicity’ whether positive or negative. The magnitude of the scandal which came with no consequences motivated MC Galaxy to turn it into a viable publicity strategy. He adopted the same concept on Friday, 15th of March, 2019 to promote another seemingly dead song of his titled ‘Ogbono’.
It wasn’t hard for MC Galaxy to find a partner-in-crime who shares the same personal and career attributes with him. He recruited a pseudo-celebrity to actualize his plan. Etinosa is not different from him. She separated from her husband, a naval officer whom she accused of physically and verbally abusing her. She maligned the man’s image on her page at some point. Etinosa just like MC Galaxy has a large number of followers on Instagram but has nothing tangible to sell to them. She has been involved in several dry comedy skits and a couple of Nollywood movies begging for recognition which they may never get. Etinosa is one of those ladies whose survival in a money-consuming city like Lagos has become some sort of mystery. This is simply because no serious means of livelihood is linked to her. But trust me, she is doing well at least considering her public appearances at star-studded social events in Lagos.
Etinosa did the unthinkable by stripping stark Unclad on live video and bragging about it. She admitted being drunk and ranted about breaking loose from the shackles of people around her to be herself. She flashed the camera on her boobs as she grumbled. Many pleaded with MC Galaxy to save the lady’s face by terminating the call but he never listened. He only pretended like he was not in support of her actions while he stylishly enjoyed the dance of shame. As the blogs fed on the issue like the previous one, MC Galaxy strategically went quiet on social media to allow the fire to burn while he monitored the effect like an achiever. Etinosa also placed her profile on private so as to gain more followers as she anticipated unprecedented visitors. These are the normal trends of social media drama episodes.
I refuse to lay blames at the doorsteps of both parties. Apart from the fact that they are adults responsible for their own actions, they only exhibited the lifestyle of Instagram users. Their actions reek of the deep cultural practices of the online community. Most people hypocritically criticizing the erring duo are loving the drama. They begged for the video, watched it over and over again with a strong lust for more while they shared among friends. MC Galaxy and Etinosa might have raised the bar too high this time around, but believe me, another set of people are coming to perpetrate a more despicable act that will overshadow theirs.
Instagram is a colossal waste of time and internet bundle except if you have a business you run on the platform. Concrete discussions don’t sell on Instagram as we have on Facebook, Twitter, and YouTube. Instagrammers just love the comedy skits, the hook-ups, showboating, the rumours, the gossips, the trolls and other ephemeral things they believe could ease their dull moods.
As for MC Galaxy, his musical career ended many years ago and he can’t revive it no matter how much he tries. He isn’t a musician but an irritant making noise on good beats. His condition is so bad that even if he is recruited by the Boko Haram sect as a suicide bomber, he will never ‘blow’. Not every musician in Nigeria has the grace of relevance like Innocent 2Baba Idibia, not everybody could come back like Duncan Mighty after being frozen out by competitors. The best MC Galaxy can do in the music industry is to sign good young artists to his music record label and promote them. This drama has come and it will go without the Ogbono track making any gainful impact. Even if MC Galaxy plays the song while live-streaming a sexual session with his girlfriend, it will not still sell. Music isn’t his way, neither is comedy. He was just fortunate with Sekem; it was a fluke!
As for Etinosa, rumours have it that she has been battling depression prior to the act. If true, I hope she finds happiness and peace of mind as she recovers from the social media backlash. The internet never forgets, her actions will certainly outlive her. The good news is that the new generation gives no damn about morality as far as you have money to show for it. After all, those who peddle sex around purportedly marry the best and rich men while their decent counterparts are fasting and praying at the Redeemed Camp/Prayer City for suitors amid skyrocketing ages.
Osayimwen Osahon George is a journalist, he writes from Lagos State.

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Tinubu Hails Fela Kuti’s Historic Grammy Lifetime Achievement Award: “More Than A Musician”

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President Bola Tinubu has paid glowing tribute to Afrobeat pioneer Fela Anikulapo Kuti following his posthumous recognition with the Grammy Lifetime Achievement Award, describing the legendary musician as far more than an entertainer.

In a personally signed statement titled “Fela Lives” released on Sunday, the president celebrated Fela’s historic achievement as the first African artist to receive the prestigious honor from the Recording Academy of America at the 68th Annual Grammy Awards held in Los Angeles on Saturday night.

Tinubu described the late icon as a multidimensional force whose impact transcended music to encompass social activism, political resistance and cultural revolution.

“Fela was more than a musician. He was a fearless voice of the people, a philosopher of freedom, and a revolutionary force whose music confronted injustice and reshaped global sound,” the president declared in his tribute.

The statement emphasized that Fela’s courage, creativity and unwavering convictions not only defined an entire generation but continue inspiring artists, activists and freedom fighters across the world nearly three decades after his death in 1997.

Drawing from Yoruba spiritual tradition, Tinubu elevated Fela’s legacy to mythological dimensions, stating that the music icon has transcended ordinary mortality to achieve divine status.

“His courage, creativity, and conviction defined a generation and continue to inspire the world. In Yoruba mythology, he has transcended to a higher plane as an Orisa. He is now eternal,” the president added, invoking the Yoruba concept of deified ancestors.

Tinubu emphasized that the Grammy recognition affirms Fela’s enduring global influence and the foundational role he played in establishing Africa’s dominance in modern music, particularly through the creation of Afrobeat.

“The award is an affirmation of his enduring global influence and the foundational role he has played in the evolution and impact of Africa on modern music. He defined Afrobeat, and you can hear and see his influence in generations of Nigerian musicians and in Afrobeats and beyond,” the president stated.

The Lifetime Achievement Award was received by Fela’s children, including renowned saxophonist and multiple Grammy nominee Femi Kuti, during Saturday’s ceremony in Los Angeles. Nigerian Afrobeats superstar Davido was also present with the Kuti family at the event.

Fela’s grandson Made Kuti, who earned a Grammy nomination in 2022, described his grandfather as operating at the same professional level as the greatest musicians in history.

“There are not many people you can trace back as an originator of a style of music that would take that risk and be so creative that it’s really, truly developed into a genre that lives on its own,” Made stated from Lagos on Sunday.

The Lifetime Achievement Award represents the latest in a series of posthumous recognitions for Fela, whose 1976 album “Zombie” was inducted into the Grammy Hall of Fame in 2025.

During his lifetime, the multi-instrumentalist invented Afrobeat by blending Yoruba rhythms with jazz, funk and highlife, creating a revolutionary sound that laid the groundwork for today’s globally successful Afrobeats genre.

Beyond musical innovation, Fela became legendary for his fearless political activism and confrontations with successive Nigerian governments, using his art as a weapon against corruption, oppression and social injustice.

His commune at Kalakuta Republic became a symbol of resistance, while songs like “Zombie,” “Sorrow Tears and Blood” and “ITT (International Thief Thief)” remain powerful political commentaries that resonate decades later.

The Recording Academy’s National Trustees present the Lifetime Achievement Award to performers who have made creative contributions of outstanding artistic significance to the field of recording during their lifetime.

Fela joins an elite 2026 class of honorees including American music legends Whitney Houston, Chaka Khan, Cher and Paul Simon, cementing his place among the most influential musicians in global history.

Recording Academy CEO Harvey Mason Jr. described the honorees as an extraordinary group whose influence spans generations, genres and the very foundation of modern music.

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In 1960, I Started Afrobeat In Ibadan, Gave Fela Platform, Band Members To Start His Own Band In 1964 – Orlando Julius

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An old interview with late legendary Nigerian musician Orlando Julius has resurfaced on social media, reigniting debates about the origins of Afrobeat amid the ongoing controversy involving award-winning singer Wizkid and Seun Kuti, the son of Afrobeat pioneer Fela Anikulapo Kuti.
In the archival interview with Agbaletu TV, Orlando Julius boldly claimed that he pioneered Afrobeat long before Fela Kuti popularised the genre, stating that he began the sound in 1960.
“I started Afrobeat in Nigeria in 1960,” Julius said, adding that “there was never anyone making music in any form close to Afrobeat at the time.”
He traced his musical roots to his childhood in Ikole Ekiti, where he developed an early passion for music through his family and school environment. “I was born in Ikole Ekiti. My dad was Osomalo. That was where I was schooled, and I was one of the band boys of St. Peter’s Anglican School, Ikole Ekiti. Music had been in my blood since then, and my mother played a role in my fondness for music because when we finished eating after getting home from school, I used to sing at night for my mother, who was an Aso Ofi fabric maker,” he recounted.
Julius also expressed gratitude to the late Premier of Western Nigeria, Chief Obafemi Awolowo, for his role in shaping his musical journey. He recalled how Awolowo’s initiative to provide musical instruments helped many young Nigerians learn music professionally.
“When my dad died, I dropped out of high school and left Ekiti for Ibadan when Obafemi Awolowo was the Premier of Western Nigeria around 1956. I devoted my full interest in music in 1957 because Obafemi Awolowo was a music lover who also loved his hometown,” he said.
He added, “He called the Action Group and suggested they buy a lot of musical instruments that could be enough for about 30 bands… That was where I learnt music and where I learnt my first instrument… It was at the place I learnt how to play alto sax, saxophone, and drumset. I play drums very well and also guitar.”
On how he coined the term Afrobeat, Julius explained that the name emerged organically from audiences who were curious about his sound.
“When we started playing in Ibadan… whenever people asked what kind of music we were playing, I always told them it was Afrobeat. The reason I called it Afrobeat was that… I listened to Cuban music, Caribbean music, Kenyan music, South African music, and others. So, I put them all together. That is where Afro comes from. Afro is African, and those people are descendants. That’s how Afrobeat started,” he said.
He also insisted that Fela Kuti was not active in music when he founded his band. “No,” he said when asked if Fela was already singing, adding that he only started hearing about him in 1963. Julius recalled how Fela later joined his band on stage as a guest trumpeter and even recruited some of his musicians when he formed Koola Lobitos in Lagos.
“Every time Fela came, he always played trumpet on our stage… When it was time for him to start his own band called Koola Lobitos, I released three members of my band to follow him to Lagos,” he revealed.
The interview has gone viral again following Wizkid’s controversial remarks about Fela and the ensuing social media feud with Seun Kuti, which reopened conversations about legacy, influence, and the true origins of Afrobeat. While Fela Kuti remains globally celebrated as the genre’s architect, Orlando Julius’ claims highlight the layered and contested history behind one of Africa’s most influential musical movements.

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Simi and Adekunle Gold Welcome Twins, Expand Their Family in Joyful New Chapter

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Popular Nigerian music couple Simi and Adekunle Gold have welcomed twins, marking a joyful new chapter in their family life.

The exciting news, which surfaced earlier this year, has been met with an outpouring of love and congratulatory messages from fans, fellow celebrities, and well-wishers across social media. Although the couple have remained characteristically private about the details, the announcement has sparked widespread excitement among admirers of the duo.

Simi and Adekunle Gold, who tied the knot in 2019, are known not just for their musical success but also for keeping their family life largely away from the public eye. The arrival of twins further strengthens their growing family and deepens the love story that fans have followed over the years.

The couple already shared a daughter, Deja, and the birth of twins adds another beautiful layer to their journey as parents. Supporters have praised the pair for balancing stardom with family, often describing them as one of Nigeria’s most admired celebrity couples.

Since the news broke, social media platforms have been flooded with congratulatory messages, prayers, and warm wishes, with many fans expressing excitement and gratitude for the growing family.

As they embrace this new phase of parenthood, Simi and Adekunle Gold continue to inspire fans with their music, love story, and commitment to family.

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